बंसी वाले के चरणों में सर हो मेरा, फिर ना पूछो उस वक़्त क्या बात है।
उनके द्वारे पे डाला है जब से डेरा, फिर ना पूछो के कैसी मुलाक़ात है॥
यह ना चाहूँ के मुझ को खुदाई मिले, यह ना मुझ को बादशाही मिले।
ख़ाक दर की मिले यह मुकद्दर मेरा, इससे बढकर बताओ क्या सौगात है॥
हो गुलामी अगर आली दरबार की, यह खुदाई भी है बादशाही भी है।
दासी दर की भिखारिन बने जिस वक़्त, इससे बढकर बताओ की क्या बात है॥
गोविन्द मेरो है गोपाल मेरो है।
श्री बांके बिहारी नंदलाल मेरो है॥
'Bansiwale Ke Dar Pe Chale Aaye' is a devotional bhajan describing a devotee’s journey to Lord Krishna, the flutist (Bansiwale), seeking blessings and spiritual solace.
Performed by popular bhajan singers and often recorded in devotional albums or temple sessions.
A Hindu devotional bhajan, commonly sung during Krishna Janmashtami, morning aartis, and temple rituals.
Lyrics are primarily in Hindi and Braj Bhasha, reflecting the traditional devotional style of Krishna bhajans.
Popular among devotees, sung in temples, bhajan gatherings, and has multiple live and studio recordings available online.
The bhajan begins with deep devotion, inviting Lord Krishna and expressing surrender to his divine flute-playing.
Chorus lines repeat to help devotees chant along, creating a meditative and immersive experience.
Describes Krishna’s flute, divine leelas, and spiritual scenes that inspire devotion and inner joy.
Encourages collective singing and participation in bhajan sessions, strengthening devotional bonds among devotees.
Evokes feelings of love, reverence, and bliss for Lord Krishna in listeners and singers alike.
Uses harmonium, tabla, dholak, manjira, and flute to provide melody and devotional rhythm.
Moderate tempo and gentle dynamics allow participants to meditate, sing, and engage in devotional movements.
Live renditions encourage interactive bhajan sessions, while studio recordings provide polished vocals and instrumentation.
Devotees may clap, move hands, or perform light devotional gestures in rhythm with the bhajan.
Invites listeners to join in singing and clapping, creating a communal devotional atmosphere.
Integral to Janmashtami celebrations, highlighting Krishna’s flute and his divine presence.
Reflects devotion, surrender, and the seeker's journey towards Lord Krishna’s blessings and divine love.
Maintains the traditional practice of Krishna bhajans and devotional singing for future generations.
Strengthens devotional bonds as devotees sing and meditate together in temples and community gatherings.
Instills happiness, spiritual satisfaction, and love for Krishna in participants.
Provide translations and transliterations for non-Hindi devotees to understand and sing along.
Embed live temple bhajans or recorded performances to increase engagement.
Offer lyrics in PDF format for personal worship or community bhajan sessions.
Provide guidance on melody, rhythm, and pronunciation to help devotees perform bhajans effectively.
Optimize with keywords like Bansiwale Ke Dar Pe Chale Aaye, Krishna Bhajan, Janmashtami; add social sharing options.
'Bansiwale Ke Dar Pe Chale Aaye' is a devotional bhajan describing a devotee’s journey to Lord Krishna, the flutist (Bansiwale), seeking blessings and spiritual solace.
Performed by popular bhajan singers and often recorded in devotional albums or temple sessions.
A Hindu devotional bhajan, commonly sung during Krishna Janmashtami, morning aartis, and temple rituals.
Lyrics are primarily in Hindi and Braj Bhasha, reflecting the traditional devotional style of Krishna bhajans.
Popular among devotees, sung in temples, bhajan gatherings, and has multiple live and studio recordings available online.
The bhajan begins with deep devotion, inviting Lord Krishna and expressing surrender to his divine flute-playing.
Chorus lines repeat to help devotees chant along, creating a meditative and immersive experience.
Describes Krishna’s flute, divine leelas, and spiritual scenes that inspire devotion and inner joy.
Encourages collective singing and participation in bhajan sessions, strengthening devotional bonds among devotees.
Evokes feelings of love, reverence, and bliss for Lord Krishna in listeners and singers alike.
Uses harmonium, tabla, dholak, manjira, and flute to provide melody and devotional rhythm.
Moderate tempo and gentle dynamics allow participants to meditate, sing, and engage in devotional movements.
Live renditions encourage interactive bhajan sessions, while studio recordings provide polished vocals and instrumentation.
Devotees may clap, move hands, or perform light devotional gestures in rhythm with the bhajan.
Invites listeners to join in singing and clapping, creating a communal devotional atmosphere.
Integral to Janmashtami celebrations, highlighting Krishna’s flute and his divine presence.
Reflects devotion, surrender, and the seeker's journey towards Lord Krishna’s blessings and divine love.
Maintains the traditional practice of Krishna bhajans and devotional singing for future generations.
Strengthens devotional bonds as devotees sing and meditate together in temples and community gatherings.
Instills happiness, spiritual satisfaction, and love for Krishna in participants.
Provide translations and transliterations for non-Hindi devotees to understand and sing along.
Embed live temple bhajans or recorded performances to increase engagement.
Offer lyrics in PDF format for personal worship or community bhajan sessions.
Provide guidance on melody, rhythm, and pronunciation to help devotees perform bhajans effectively.
Optimize with keywords like Bansiwale Ke Dar Pe Chale Aaye, Krishna Bhajan, Janmashtami; add social sharing options.