ઊંચા નીચા રે માડી તારા ડુંગરા રે લોલ,
કે ડુંગર ઉપર ટહુકે ઝીણા મોર;
કે ગરબે રમવા આવજો રે લોલ. ઊંચા નીચા રે
પહેલો પત્ર રે પાવાગઢ મોકલ્યો રે લોલ,
કે દેજો મારી કાળકા માને હાથ;
કે ગરબે રમવા આવજો રે લોલ. ઊંચા નીચા રે
બીજો પત્ર રે આબુગઢ મોકલ્યો રે લોલ,
કે દેજો મારી અંબા માને હાથ;
કે ગરબે રમવા આવજો રે લોલ. ઊંચા નીચા રે
ત્રીજો પત્ર રે શંખલપુર મોકલ્યો રે લોલ,
કે દેજો મારી બહુચર માને હાથ;
કે ગરબે રમવા આવજો રે લોલ. ઊંચા નીચા રે
ચોથો પત્ર રે આરાસુર મોકલ્યો રે લોલ,
કે દેજો મારી આરાસુરી માને હાથ;
કે ગરબે રમવા આવજો રે લોલ. ઊંચા નીચા રે
પાંચમો પત્ર રે અમદાવદ મોકલ્યો રે લોલ,
કે દેજો મારી ભદ્રકાળી માને હાથ;
કે ગરબે રમવા આવજો રે લોલ. ઊંચા નીચા રે
“Uncha Nicha Re Madi Tara Dungara” means “Oh Mother (Madi), Your posture high and low” expressing the devotee’s recognition of Goddess’s omnipresence in both exalted and humble states.
This song is performed by Sanjay Barot (also versions by Ruparam Prajapat) and is part of popular Garba collections. The single “Uncha Uncha Re Madi Tara Dungra” is available on Apple Music. :contentReference[oaicite:0]{index=0}
It’s a Garba devotional song commonly played during Navratri gatherings when devotees dance and chant in praise of the Divine Mother under festive lights and devotional fervor.
The lyrics are in Gujarati, featuring regional phrases and devotional epithets like “Madi”, “Dungra” that resonate with folk traditions in Gujarat.
This Garba has multiple versions – live and studio. It is streamed on platforms like Apple Music, Spotify, and also performed in live events. It enjoys popularity in Navratri playlists. :contentReference[oaicite:1]{index=1}
The song begins with invoking the Mother, praising her qualities, expressing wonder at her power both in high (“uncha”) and humble (“nicha”) forms.
Lyrics compare the exalted (mountain-like, elevated) aspects of the Divine and the humble, serving devotees who are both high and low — reminding all are seen by the Divine Mother.
Refrains such as “Uncha Uncha Re…” are repeated to let the audience join, enhance memorability, and build momentum through Garba circle singing.
There are images in the lyrics of mountains (“Dungra”), high-peaks, references to mother’s presence in all elevations, suggesting strength, stability, mother’s shelter even in difficult terrain.
The song moves from awe and praise, through humility, to a collective celebration of devotion, giving listeners both comfort and upliftment.
Instrumentation includes dhol, manjira, and folk percussion that support the strong Garba rhythm; beats align with refrains to allow dancers to follow easily.
The song starts with moderate tempo and builds in energy during refrains; some pauses or softer segments emphasise meaning before ramping up for dance parts.
Live performances tend to be more dynamic, with audience call-and-response, variations in length; studio versions are more polished and have guided flows.
Lyrics include cues that match Garba dance movements: rise, fall, spinning, footwork that responds to “uncha” and “nicha” references in the song.
The repetition, refrains and strong chorus invitations allow listeners to echo, join dancing circles, clap, which increases engagement and performance energy.
This Garba is especially meaningful during Navratri, when songs of praise to the Goddess are sung nightly and communities come together in devotional dance.
Performing this song in Garba circles reinforces Gujarati cultural identity; people of different ages come together sharing tradition and joyous worship.
Through repeated performance, streaming, and teaching among younger singers/dancers, the song helps preserve folk Garba traditions and lyrical heritage.
When sang in live Garba nights, listeners often feel deeply moved — elevated spirit, connection with the Divine Mother, joy and communal harmony.
Including translations or transliterations (Gujarati→English/Hindi) help non-Gujarati speakers understand lyric meaning and increases reach of the page.
Embedding YouTube video or streaming links (Spotify, Apple Music) allows visitors to listen directly which boosts dwell time and shareability.
Providing downloadable or printable lyrics helps devotees follow along during events or offline, enhancing utility of the page.
Offer guidance on when to use this song in Garba events: which parts are good for chorus, where to increase tempo, how to encourage crowd participation.
Use meta keywords like “Uncha Nicha Garba”, “Madi Tara Dungara”, tags with artist names, share buttons, alt text for audio/video to improve indexing.
“Uncha Nicha Re Madi Tara Dungara” means “Oh Mother (Madi), Your posture high and low” expressing the devotee’s recognition of Goddess’s omnipresence in both exalted and humble states.
This song is performed by Sanjay Barot (also versions by Ruparam Prajapat) and is part of popular Garba collections. The single “Uncha Uncha Re Madi Tara Dungra” is available on Apple Music. :contentReference[oaicite:0]{index=0}
It’s a Garba devotional song commonly played during Navratri gatherings when devotees dance and chant in praise of the Divine Mother under festive lights and devotional fervor.
The lyrics are in Gujarati, featuring regional phrases and devotional epithets like “Madi”, “Dungra” that resonate with folk traditions in Gujarat.
This Garba has multiple versions – live and studio. It is streamed on platforms like Apple Music, Spotify, and also performed in live events. It enjoys popularity in Navratri playlists. :contentReference[oaicite:1]{index=1}
The song begins with invoking the Mother, praising her qualities, expressing wonder at her power both in high (“uncha”) and humble (“nicha”) forms.
Lyrics compare the exalted (mountain-like, elevated) aspects of the Divine and the humble, serving devotees who are both high and low — reminding all are seen by the Divine Mother.
Refrains such as “Uncha Uncha Re…” are repeated to let the audience join, enhance memorability, and build momentum through Garba circle singing.
There are images in the lyrics of mountains (“Dungra”), high-peaks, references to mother’s presence in all elevations, suggesting strength, stability, mother’s shelter even in difficult terrain.
The song moves from awe and praise, through humility, to a collective celebration of devotion, giving listeners both comfort and upliftment.
Instrumentation includes dhol, manjira, and folk percussion that support the strong Garba rhythm; beats align with refrains to allow dancers to follow easily.
The song starts with moderate tempo and builds in energy during refrains; some pauses or softer segments emphasise meaning before ramping up for dance parts.
Live performances tend to be more dynamic, with audience call-and-response, variations in length; studio versions are more polished and have guided flows.
Lyrics include cues that match Garba dance movements: rise, fall, spinning, footwork that responds to “uncha” and “nicha” references in the song.
The repetition, refrains and strong chorus invitations allow listeners to echo, join dancing circles, clap, which increases engagement and performance energy.
This Garba is especially meaningful during Navratri, when songs of praise to the Goddess are sung nightly and communities come together in devotional dance.
Performing this song in Garba circles reinforces Gujarati cultural identity; people of different ages come together sharing tradition and joyous worship.
Through repeated performance, streaming, and teaching among younger singers/dancers, the song helps preserve folk Garba traditions and lyrical heritage.
When sang in live Garba nights, listeners often feel deeply moved — elevated spirit, connection with the Divine Mother, joy and communal harmony.
Including translations or transliterations (Gujarati→English/Hindi) help non-Gujarati speakers understand lyric meaning and increases reach of the page.
Embedding YouTube video or streaming links (Spotify, Apple Music) allows visitors to listen directly which boosts dwell time and shareability.
Providing downloadable or printable lyrics helps devotees follow along during events or offline, enhancing utility of the page.
Offer guidance on when to use this song in Garba events: which parts are good for chorus, where to increase tempo, how to encourage crowd participation.
Use meta keywords like “Uncha Nicha Garba”, “Madi Tara Dungara”, tags with artist names, share buttons, alt text for audio/video to improve indexing.